Psychological Manipulation in Psychological Thrillers: A Case Study of “The Housemaid” by Freida McFadden

Authors

  • Siti Alifia Ananda Ardiani University of Islam Negeri Sunan Gunung Djati Bandung Author
  • Otong Setiawan Djauhari University of Islam Negeri Sunan Gunung Djati Bandung Author

DOI:

https://doi.org/10.63822/f216h027

Keywords:

Pcychological thriller, psychological manipulation, narrative techniques, power dynamics, Psychological literary approach.

Abstract

Psychological thrillers as a genre have become a powerful vehicle for exploring the dynamics of power, trauma, and manipulation in human relationships. This article discusses psychological manipulation in the psychological thriller genre, focusing on Freida McFadden's novel The Housemaid. The main issue raised is how manipulation is constructed and displayed through the psychological behavior of the characters. The purpose of this study is to uncover the narrative techniques and psychological strategies used by the author in building tension and directing the reader's perception. This study uses a qualitative method with a psychological literary approach, analyzing the behavior of the main characters, namely Andrew Winchester, Millie, and Nina in their interactions to identify elements of manipulation. The results show that McFadden effectively uses unreliable narratives, character isolation, and changing power dynamics to enhance psychological tension. The conclusion shows that these elements work together to create an intense and disturbing reading experience, and reveal the important role of manipulation in the psychological thriller genre.

References

Barry, P. (2002). Beginning theory: An introduction to literary and cultural theory (2nd ed.). Manchester University Press.

Burke, L. (2014). Unreliable narrators and fractured perspectives in contemporary thrillers. Journal of Narrative Studies, 9(2), 85–97.

Hutchings, P. (2013). The horror film. Routledge.

Johnson, M., & Smith, R. (2017). Power, control, and gendered violence in psychological thrillers: A literary analysis. Journal of Gender and Literature, 12(1), 45–62.

Knight, S. (2004). Crime fiction, 1800–2000: Detection, death, diversity. Palgrave Macmillan.

McFadden, F. (2022). The Housemaid. Bookouture.

Mulvey, L. (2015). Visual pleasure and narrative domesticity in thrillers. Feminist Film Theory Review, 6(1), 33–49.

Simpson, P. (2010). Psychological suspense and the unreliable mind: Contemporary fiction and the reader’s perception. Modern Fiction Studies, 56(3), 412–429.

Simpson, P. (2015). Psychological thrillers: Genre and meaning in postmodern literature. Continuum.

Tyson, L. (2006). Critical theory today: A user-friendly guide (2nd ed.). Routledge.

Published

2025-06-22

Issue

Section

Articles

How to Cite

Siti Alifia Ananda Ardiani, & Otong Setiawan Djauhari. (2025). Psychological Manipulation in Psychological Thrillers: A Case Study of “The Housemaid” by Freida McFadden. Jejak Digital: Jurnal Ilmiah Multidisiplin, 1(4), 1369-1375. https://doi.org/10.63822/f216h027