Pengaplikasian Teknik Distressed dalam  Visualisasi Rebel

Authors

  • Hasya Zalfa Harsan Institut Seni Indonesia Padangpanjang Author
  • Fendi Nofrian Institut Seni Indonesia Padangpanjang Author
  • Desra Imelda Institut Seni Indonesia Padangpanjang Author
  • Fadri Rahmat Institut Seni Indonesia Padangpanjang Author

DOI:

https://doi.org/10.63822/bx6aph63

Keywords:

Rebel, Distressed, Manipulation, Slashed, Safety Pins, Chains

Abstract

Fashion is a form of visual non-verbal communication that conveys meaning regarding the wearer's identity, emotion, and ideological values. This meaning is constructed not only through silhouettes but also through material processing using textile manipulation techniques. The creation of this work aims to develop a clothing collection themed around resistance by exploring distressed manipulation techniques. This design concept shifts the psychological analogy of psychological distress, such as slashing, burning, puncturing, and other destructive acts, into a controlled creative process to express a rebellious attitude. As a conceptual balance as well as a preservation of cultural roots, this design integrates Silungkang songket with the bunga pecah lapan motif. The creation method of this work progresses through the stages of idea exploration, design planning, and final artwork execution. The ultimate result of this design consists of three collections: a ready-to-wear collection titled "Muted Scars", a ready-to-wear deluxe collection titled "Unbound Rage", and a haute couture collection titled "The Final Escape". All these works utilize various techniques, including slashing, fraying, patchwork, and burning, complemented by safety pin and chain accents. The visual character is reinforced by the dominance of black, gray, and red, which reflect emotional transition and bravery.

References

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Published

2026-07-24

Issue

Section

Articles

How to Cite

Harsan, H. Z., Nofrian, F., Imelda, D. ., & Rahmat, F. . (2026). Pengaplikasian Teknik Distressed dalam  Visualisasi Rebel. Jejak Digital: Jurnal Ilmiah Multidisiplin, 2(4), 8914-8922. https://doi.org/10.63822/bx6aph63

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