Representasi Kebebasan Identitas pada Video Klip Lagu Montero (Call Me By Your Name) dalam Perspektif Ajaran Islam

Authors

  • Amara Putri Pertiwi Universitas Islam Negeri Sunan Gunung Djati Author
  • Arvindhia Nadhief Zaidan Universitas Islam Negeri Sunan Gunung Djati Author
  • Budi Rizky Rabbani Universitas Islam Negeri Sunan Gunung Djati Author
  • Dadan Dadan Universitas Islam Negeri Sunan Gunung Djati Author
  • Maulida Azzahra Universitas Islam Negeri Sunan Gunung Djati Author

DOI:

https://doi.org/10.63822/fbgqzc33

Keywords:

Identity Freedom, Popular Culture, Kalam, Student, Digital Literacy.

Abstract

This study analyzes the representation of identity freedom in Lil Nas X’s music vudeo Montero (Call Me By Your Name) from an Islamic theological persektive. Using Roland Barthes’s semiotic analysis, the study finds that the music video radically deconstructs religious symbols to contruct a myth of absolute individual freedom over queer identity. From Islamic theology (Kalam) and jurisprudence (Fiqh) viewpoits, this concept contradicts human nature as a servant of God and violates tasyabbuh prohibitins. This digital culture shift triggers intellectual syiruk khafi and digital riya’ among students. Although students display Karl Popper’s critical epistemology, reinforcing digital literacy based on Tawhid values remains crucial.

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Published

2026-07-04

How to Cite

Pertiwi, A. P., Zaidan, A. N., Rabbani, B. R. ., Dadan, D., & Azzahra, M. . (2026). Representasi Kebebasan Identitas pada Video Klip Lagu Montero (Call Me By Your Name) dalam Perspektif Ajaran Islam. Jurnal Ilmu Sosial Dan Humaniora, 2(3), 2460-2465. https://doi.org/10.63822/fbgqzc33